It’s a mesmerizing psychological thriller that beguiles on multiple levels, and has come to be known as the film that most reveals the man behind the camera, Alfred Hitchcock (Rear Window, The Birds). Vertigo is an exercise in patience, not a taut thriller in the classic sense, but one that unfolds its mysteries in complexly fascinating ways. Quite possibly the most analyzed of the Master’s films, the fractured narrative begs for repeated viewings, and in each repeated session we’re left trying to squeeze out hope and happiness for this dysfunctional pairing, but it remains, as it always is, forever elusive.
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